Culture

I Only Rest in the Storm review – beguiling postcolonia...

A disaffected Portuguese NGO worker dallies with a drag queen as he wrestles wit...

Tom Stoppard was the epitome of cool. British theatre w...

The Arcadia playwright, who has died aged 88, was unequalled in his curiosity, w...

New film adaptation of Camus’s L’Étranger opens old col...

François Ozon’s handling of classic novel draws both praise and criticism, inclu...

Poisoned battlegrounds — the war for the narrative of Gaza

From the way we watch old movies to the shape of global geopolitics, the story o...

Classic British TV is a hit around the world. But for h...

Cultural exports focus on archive programmes amid slowdown in production of newe...

Murder, dictators and drugs: You have to read this wild...

For centuries, the country was ‘the world’s greatest melting pot’. Today, it sta...

Ten-Foot Chopsticks

The ghost of the industrial revolution haunts Britain. The language of today’s p...

Holbein: Renaissance Master by Elizabeth Goldring revie...

The first scholarly biography in more than 100 years of the man who immortalised...

Cambridge Dictionary names parasocial Word of the Year

Cambridge Dictionary has named parasocial as the Word of the Year for 2025.  

‘I prepared for the role by playing in my room’: the ma...

The groundbreaking, smash-hit adventure was a make-or-break moment for both Pixa...

The Future of Search

Donald MacKenzie on the challenges facing Google

No Illusions: Syntax of Slavery

John Kerrigan

Lost in the plot: how would-be authors were fooled by A...

Book publishing websites in Australia, the UK and New Zealand appear to be using...